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Gifford Proctor's statue to be unveiled Saturday
in Wilton
Oct 12, 2006
During the darkest days of America�s fight for independence, and
in the darkest hours of the harsh winter that killed thousands of
troops at Valley Forge, General George Washington stood alone, beset
by wind and pelting snow, but also by doubt and
uncertainty.
This is the Washington that Gifford Proctor
envisioned as a young man in the 1930�s, and for close to 70 years
he worked to capture that image in sculpture, first with a
three-foot model, then later with larger statues and busts as the
image was revised, reworked, and went through an adventure all its
own.
On Saturday, Oct. 14, an eight-foot tall model of the
statue, which will one day be expanded to stand 20 feet tall and is
expected to be placed at Valley Forge, will be unveiled in a
ceremony at Mr. Proctor�s studio at the home of Sylvia Keiser at 105
Seeley Road. Mr. Proctor died on June 16, but left the task of
completing the statue to Ms. Keiser, a lifelong friend and fellow
sculptor, who is holding an open house from 1 to 5:30 to share the
statue with the town of Wilton.
�The town and its people were
special to him,� said Peter Keiser of the choice to unveil the
statue in Wilton first. Mr. Proctor first came to Wilton in 1929 and
lived in town off and on until 1964. He returned in 1983 and lived
here until his death.
The statue being viewed will be a
painted foam core from which sculptors will take measurements and
proportions in preparation to enlarge the piece to the full size of
20 feet. After that, the final piece, which will most likely be made
of a metal other than bronze, would be placed at Valley Forge in
Pennsylvania.
�In the end, what he wanted to do was take a
slice of life or feeling and give it a face, a symbol,� said Blair
Proctor, Mr. Proctor�s son who flew in from California to help
arrange the unveiling.
Mr. Keiser said Mr. Proctor�s vision
of Washington was cemented when he won the �Prix de Rome� in 1934
and traveled to Italy for two years to study at the American
Academy. There he saw the evil and oppression of fascism under
Mussolini, said Mr. Keiser.
�It impressed upon him how
important democracy was,� he said.
Graphically, Mr. Proctor
sought to capture Washington at his darkest hour, when all seemed to
be lost, to tell the story of how this one man embodied the American
spirit.
Hindsight allows Americans to see Washington as the
triumphant victor, but at Valley Forge he was a man very much
troubled with doubt, said Mr. Keiser. Washington watched as his men
died of hunger in the cold and snow while American businesses traded
nearby with British troops for food and clothing. His men were
quickly losing faith in him, and there was talk of abandoning the
camp by many of his senior officers.
�What Gifford would say
was �He [Washington] had to wonder sometimes, because everyone and
everything was against him�,� said Mr. Keiser.
A long
journey
The statue residents are invited to see has been a
long time coming, with several periods when things moved slowly. In
the late 1980�s a 10-foot version arrived from the foundry, but had
been cut into segments � unbeknownst to Mr. Proctor � and crashed to
the floor, setting work back several decades.
�It�s been an
incredible journey and a series of misses,� said Mr.
Keiser.
The project, for Mr. Proctor, was a labor of love,
and one he spent much of his time trying to perfect, said his
son.
�So many people, going by on Seeley Road at all hours,
remember seeing that light on in Gifford�s studio,� said Mr.
Keiser.
His father, said Mr. Proctor, was �unwilling to go
the modern way,� preferring the traditional methods of sculpting and
enlarging what he grew up learning from his father, noted American
West sculptor Alexander Phimister.
The project has taken a
more modern turn in recent years, with the model being laser scanned
into a computer, and the foam enlargement being produced with the
automated proportion calculations made by machine, not man, though
the finishing touches were completed by hand.
�There are a
lot of people who have been behind this for 20 years,� said Mr.
Keiser.
Sculptor Vincent DeFelice, of Spokane, Wash., was
visiting his brother-in-law, Jim Donahue here in Wilton years ago
when he first saw the sculpture, said Mr. Keiser.
�He
immediately offered to help, he wanted to be a part of it,� he
said.
Recently Mr. DeFelice has been working on the foam
model, helping to enlarge it along with sculptor Peter Ross of the
Tallix Company in Beacon, N.Y. The endeavor was assisted by Patrick
Skidd, who was Mr. Proctor�s assistant.
While work will
continue to gain support for the project, both emotional and
financial, the Proctors and Keisers are also working to firm up
plans to place the statue at Valley Forge, ideally on Mount Joy, a
location Mr. Proctor chose and was granted by the national parks in
the 1940�s after President Harry Truman threw his support behind the
project.
�The site was approved for that statue,� said Mr.
Proctor. �Then the war came and it was �we don�t have metal to make
that statue.� �
While much is needed to complete the work
that was Mr. Proctor�s dream for 70 years, the Proctors and Keisers
feel the unveiling Saturday will not only be a celebration of Mr.
Proctor�s life, but also of the ideals and emotions he sought to
portray through the sculpture.
At 2 p.m. the families will
hold a brief ceremony at the studio, and will be available
throughout the day to answer questions and share their memories.
Light refreshments will be served.
Parking is available in
the field across from the Keiser home, at the corner of Seeley and
Cannon roads.
� Copyright by Hersam Acorn
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